Cinematic & VFX.
Film-grade visual effects, motion design, and cinematic sequences for features, episodic series, advertising, and premium branded content — built by a senior team that has worked on Hollywood and Asian productions.
VFX where the seam never shows.
UNI's cinematic and VFX practice is led by artists who built their craft on feature film and high-end episodic work. We deliver full sequences, hero shots, and end-to-end VFX programmes at the level theatrical and streaming clients expect.
Where most studios pitch reels, we sell discipline: clean briefs, on-set supervision, faithful plate handling, calm dailies, locked turnover. The work that makes a sequence land at the cinema or on the platform isn't the flashy hero shot — it's the unglamorous craft underneath.
We also bring an honest hybrid posture: AI tools accelerate previz, plate clean-up, asset generation, and look development, but the hero frames are touched by senior artists. This is how we deliver theatrical quality on episodic timelines.
Across the full VFX stack.
Hero Sequences & Shots
Third-act spectacle, key story-beat shots, and franchise hero moments — handled by senior VFX supervisors and lighting / FX leads with feature credits.
Episodic VFX
Full episodic VFX programmes — turnover management, look continuity across episodes, weekly delivery, and clean handover to broadcast / streaming finishing.
On-Set & Virtual Production
VFX supervision on Asia-based shoots, witness cameras, HDRI capture, lens grids, and integration with virtual production / Unreal Engine LED stages.
FX & Simulation
Houdini-driven simulation — water, fire, smoke, destruction, atmospherics — and FX cleanup work tuned to the lensing of the show.
Compositing & Cleanup
Nuke-led compositing, plate clean-up, beauty work, rotoscoping, and seamless integration of CG with photography at theatrical fidelity.
Cinematic Sequences
Title sequences, cinematic trailers, in-engine cinematics, and cinematic spots for brands and entertainment IP — full creative + craft.
Who this is for.
- Feature and episodic productions needing senior VFX leads in the Asia-Pacific region.
- Streamers and broadcasters commissioning premium series with significant VFX components.
- Game and entertainment IP holders producing cinematic trailers, in-engine cinematics, or worldbuilding films.
- Premium brands and agencies needing cinematic film work — not commodity motion graphics.
- Producers running Asia-based shoots who need on-set VFX supervision rather than blind post.
From brief to final colour.
- 01
Bidding & Methodology
We read the script, break down the VFX work, and propose a methodology that respects the show's tone and budget — not a generic shot-count quote.
- 02
Pre-Production & Previz
Concept art, look development, AI-accelerated previz, and on-set planning. The earlier these decisions are locked, the smaller the post-production salvage.
- 03
On-Set Supervision
Senior VFX supervisors on shoot — capturing reference, plates, lens data, and witness coverage. The cheapest VFX is the kind you don't have to invent in post.
- 04
Production
Asset build, FX, lighting, and compositing run in parallel under daily senior review. Hybrid AI tooling accelerates plate clean-up, asset variants, and rough comp.
- 05
Finishing & Delivery
Online conform, ACES / HDR finishing, QC, and delivery in the formats your distribution chain demands — with a clean source-file handover.
Senior craft, with the schedule discipline of a working studio.
- Feature and episodic VFX credits across Hollywood and Asia — the senior leads have shipped at theatrical scale.
- On-set supervision available in Taiwan, Japan, and across Southeast Asia.
- Hybrid AI pipeline that accelerates the unglamorous-but-time-expensive work — plate clean-up, asset variants, previz — without compromising the hero work.
- On time, on budget, NDA-compliant by default. The unsexy version of professional.
- Multilingual senior team — English, Mandarin, Cantonese, Japanese — comfortable in international co-production environments.
Frequently asked.
Both. UNI runs full VFX programmes for episodic series and features, and is regularly engaged for hero sequences, third-act spectacle, or specialised effects work where senior craft is non-negotiable.
Yes. Our VFX leads can supervise on-set in Taiwan, Japan, and across Asia — capturing reference, witness cameras, HDRIs, and lens data — so post-production isn't a salvage operation.
Houdini, Maya, Nuke, Unreal Engine, After Effects, DaVinci Resolve, and a hybrid AI bench for previz, plate work, and asset generation. We adapt to a partner's pipeline when needed.
Yes. Our finishing pipeline handles ACES, theatrical colour, HDR (Dolby Vision, HDR10+), and all the major streaming mastering specs.
NDA is the default contractual position. We run clean-room workflows for sensitive material: limited internal access, locked review platforms, watermarked outputs, and physical security on review machines when required.
