Animation Production.
Broadcast-grade 2D and 3D animation for feature films, episodic series, streaming originals, and branded entertainment — produced by a senior team that has shipped on Hollywood and Asian productions for over two decades.
A full pipeline, run by senior craft.
UNI Entertainment is a Taiwan-based animation studio with a senior in-house team and a hybrid pipeline that spans concept art, story development, layout, animation, lighting, and final compositing. Twenty-five years of feature VFX, television series, and theatrical animation sit behind every brief we accept.
We build productions around a small Power Cell of senior leads — director, art director, animation lead, technical director, producer — and scale a freelance bench around them per project. The result: shows that move quickly without thinning the craft, because the senior eye stays on every frame.
We work in 2D, 3D, and hybrid, and we plug in to your pipeline or run our own. Whether you need a complete production partner or a senior team to take over a single stage, we deliver to broadcast, streaming, theatrical, and OTT specifications.
From the first storyboard to the final master.
Concept & Design
Visual development, character design, environment design, prop design, and colour scripts — building the visual language of the show before a single frame is animated.
Story & Boards
Story development, scriptwriting support, beat boards, and full animatics with timing — locking the narrative shape before production cost ramps.
2D Animation
Traditional 2D, motion-graphic 2D, and Toon Boom / TVPaint pipelines — rigged or frame-by-frame, broadcast through theatrical quality.
3D Animation
Maya, Unreal Engine, and Blender pipelines — modelling, rigging, animation, lighting, and rendering for film, episodic, and real-time productions.
VFX & Compositing
Nuke and After Effects compositing, FX simulation, and integration of plate photography with CG elements at film-grade fidelity.
Edit, Sound & Master
DaVinci Resolve grading, online edit, sound design partnerships, and delivery in the codecs and specs your broadcaster or platform demands.
Who this is for.
- Broadcasters and streamers commissioning original animated series for Asian and global markets.
- Feature animation studios needing a senior co-production partner with capacity in Taipei.
- Game and entertainment companies launching cinematic trailers, in-engine cinematics, or branded animation.
- Producers with an animated property in development who need a studio that can take it from script to screen.
- Agencies and brands requiring high-craft animated content rather than commodity motion graphics.
A pipeline that compresses without cutting corners.
- 01
Brief & Creative Alignment
We pressure-test the brief, align on tone, references, and audience, and define the deliverable spec, schedule, and budget envelope.
- 02
Pre-Production
Visual development, character and world design, script and board lockup, and animatic — the cheap stage where most of the show is actually decided.
- 03
Production
Asset build, layout, animation, FX, and lighting run in parallel waves, with senior leads reviewing daily and the AI-accelerated previz keeping the schedule honest.
- 04
Post-Production
Compositing, colour, sound, and final master — delivered in the formats your distribution chain requires, with QC stamps on every frame.
- 05
Delivery & Handover
Final masters, source files, and a clean documentation package — so the show is yours, not locked in our walls.
Senior craft, AI-accelerated.
- 25+ years of animation and VFX credits across Hollywood and Asia — the team is senior by default, not by exception.
- The UNI Hybrid Pipeline cuts production timelines 40–70% by absorbing AI tools where they accelerate craft, not where they replace it.
- On time, on budget, NDA-compliant by default — the operating standard, not the marketing claim.
- Multilingual production — English, Mandarin, Cantonese, Japanese — with offices and partners in Taipei, Tokyo, and across Southeast Asia.
- A small senior core that owns the work end-to-end, scaled with a vetted freelance bench. No churn, no juniors making senior decisions.
Frequently asked.
Both. UNI runs full broadcast-grade pipelines from concept through final compositing — but we also drop into a single stage of an existing production when a partner needs senior reinforcements on storyboarding, layout, animation, or post.
We deliver in any format the broadcaster, streamer, or theatrical partner requires — including 23.976 / 24 / 25 / 29.97 / 30 / 60 fps, in HD through 4K, with the colour pipeline tuned to the platform's mastering specs.
Yes. The senior in-house core in Taipei is supported by trusted freelance and studio teams across Hong Kong, Tokyo, and Southeast Asia. We can scale up without compromising creative quality or chain of custody.
NDA-default. All team members and external collaborators sign confidentiality before viewing materials, and we operate clean-room workflows for sensitive properties.
No. UNI works in English, Mandarin, Cantonese, and Japanese. Production briefs, reviews, and deliveries can be conducted in any of these languages.
